What’s the best masking tape for watercolor?

A pile of tapes I’ve tried.

Lists of watercolor supplies usually including “masking tape,” but what’s it for? Why do you need it? What do you do with it once you’ve got it? And what’s the best kind to get? When I was first gathering watercolor supplies, I often found myself frustrated with the vagueness on supply lists. I wanted more detail so that I could get it right the first time. Since I did not get it right the first time, let me pass my hard-won wisdom onto you!

Watercolor artists generally have two purposes for masking tape:

1. To hold down the paper so that it lies flat and doesn’t curl up when wet. This isn’t necessary when using a watercolor block, where the paper is already glued down on all sides, but it’s crucial when using loose sheets of paper – you can tape them to your desk or a clipboard. It can also be helpful on a sketchbook: taping the page you’re using down and curling the tape around the edge of the book to turn it into a makeshift block. (Kolbie Blume explains this in Day 1 of her 10-Day Painting the Wilderness Challenge.) Either way, when the page is untaped, there should then be a crisp, white border framing the entire painting – as long as the tape hasn’t leaked!

Watercolor sketchbook open with the pages held flat using Scotch Expressions decorative tape along with binder clips.

2. For masking! As the name implies, masking tape can be used as an alternative to masking fluid. It’s my preference, since masking fluid gives me a headache. Cut the tape to the shape you want, then paint over it to your heart’s content. When the paint is dry, remove the tape and you should have a crisp, white silhouette left behind in the shape of the tape. This is super useful for paintings where you need to make a wet-on-wet background that’s darker than the foreground. 

Progress shot from “Wildflower Bouquet,” Day 7 of Koblie Blume’s 10-Day Challenge, showing Blick Artist Tape (not recommended) around the edges and Blick Masking Tape (fine) to mask flower shapes.

For both of these use cases, the crucial properties of good tape are:

  • Doesn’t leak. Can be painted over with multiple wet washes, and doesn’t let in paint underneath the tape. Not weakened by water.
  • Lifts cleanly, without damaging or tearing watercolor paper. 
  • Leaves behind no sticky residue, especially if you plan on painting over the area.
  • Not weakened by heat, in case you plan on drying your painting with a heat tool such as a hair dryer.
  • Wide enough to effectively hold the paper down. My ideal width is at least 15mm (a little over half an inch), although yours might vary. For the purpose of masking, I like to get extremely wide tape, as wide as possible, so I can cut the biggest variety of shapes out of it. I currently mask with a roll of 3” wide masking tape. 

Here are some options I have tried.

The Good

  • Regular old hardware store masking tape. There’s usually no specific brand name attached so these can vary, but they are usually really good, in addition to being your cheapest and most widely available option. It’s not pretty, though. 
  • Washi tape, those super cute patterned paper tapes you find in Japanese stationery stores, tend to be extremely effective at giving crisp edges and gentle on paper as well as being cute! Again, I don’t have specific brand names since there are so many and are often sold without a specific brand name attached, so they can also vary in quality, but I’ve had good luck with tapes from Jet Pens and Kawaii Pen Store, as well as from Etsy shops like LeslieWritesItAll
  • Holbein Soft Tape, which is the same thing as Nitto Paper Masking Tape. Works very well and resists heat better than most. This is a plain white-colored tape made of crepe paper that is coated with a synthetic rubber resin. It’s very water resistant; water beads on top of it, but doesn’t tend to sink in or leak, and it lifts away cleanly. 
Cloudscape progress shot showing water beading on the Holbein soft tape.
Finished cloudscape with tape removed.

The Fine

  • Scotch Expressions, the decorative paper tape you are most likely to be able to find in the U.S. at someplace like Target or Michaels. It’s decent, but doesn’t really work quite as well or as consistently at giving crisp edges as the Japanese tapes I’ve tried. Plus, the sampler packs usually include a variety of widths, some of which are too thin to be useful. 
  • Rifle Paper Co. Similar to Scotch Expressions, I find these to work fairly well although there are occasional leaks if you’re using a lot of water or a heat tool. On the plus, they are a good width and extremely cute.

The Bad

  • Blick Artist Tape. Just horrible. This was my first roll of tape, and it let in so much leakage! Much more if I used a hair dryer, but even without, pretty bad. (Blick Masking Tape, however, is fine. Just like hardware store making tape.)
“Aurora Borealis”, Day 10 of Kolbie Blume’s 10 Day Challenge, showing spillage from the use of Blick Artist Tape. I did not use heat for this painting.
Contrast with this spacescape using at least as much water. For this one, I used washi tape from Kawaii Pen Store.

General Tips

No matter how high quality your tape, you may get leakage if there is a fold in the tape or if it’s not firmly adhered to the paper. Make sure you press down firmly when applying your tape, and after each pass with your heat tool.

If crisp edges are extremely important to you, or you’re using tape for masking a specific shape, I would tend to avoid heat tools altogether. Apply a layer, go away and do something else. Or work multiple paintings at the same time; by the time you’re done with one, you should be able to go back to the other.

2 thoughts on “What’s the best masking tape for watercolor?”

  1. Consider Frog Tape (US made) best find ever at the hardware place. I used it for regular house paint and no it’s not cheap, but it worked a LOT better than other more exxy “artist” stuff.

    I use purple (delicate) though the regular yellow is also good. (Purple doesn’t stay on if you’re a slow painter ie 15 days plus between paint sessions.)

    Removes cleanly from Strathmore and WN journal but not tried with other papers (570GSM mixed media heavy duty and 300GSM cold press hard cover and spiral bound respectively).

Comments are closed.