Supplies

Where to buy art supplies in Canada

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In the U.S. I did not find it difficult to find places to buy watercolor supplies, especially online. National chains Blick, Cheap Joe’s, and Jerry’s Artarama are common and do a lot of online business, and regional specialty stores like St Louis Art Supply or Wet Paint Art in St. Paul, MN are also good enough to be worth ordering from even if you live far away.

In Canada, I have found it difficult to source the good stuff. There are fewer giant chain art stores and those that exist carry smaller selections at higher prices. However, I have poked around carefully and found some specific sources for the specific brands, colors, etc. that I like. Here are some of the more promising art stores that ship nationally.

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Limited Palette Study: Phthalo Blue Green Shade, Indian Yellow, Perylene Violet

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I chose this palette for a night sky painting – and to play with two new Schmincke colors, Indian Yellow and Perylene Violet! Phthalo Blue Green Shade is a classic cyan: bright, but transparent enough to achieve dark masstone. Indian Yellow is a combination of two warm yellows (PY154 and PY110), similar to DS New Gamboge. Perylene Violet is an oddball choice for me, because I usually find it too dark and dreary, but it’s perfect for the deep, dark violets of a night sky.

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Limited Palette Templates

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I’m on my limited palette kick after reading Hazel Soan‘s The Art of the Limited Palette, and I have more thoughts!

How do you go about building or choosing a limited palette for a particular painting? It’s easy to default to a primary triad (blue/yellow/red), the most common type of limited palette, but what are the other options? From my observations of Soan’s examples in her book and other sources, I’ve categorized common patterns.

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Limited Palette Study: Indanthrone Blue, Rich Green Gold, Transparent Red Oxide

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Welcome to a new series where I take a look at a specific limited palette, usually consisting of 3 colors. This is inspired by my newfound interest in limited palettes (after reading Hazel Soan’s book), and also by my need to find a new post series now that I’m no longer doing Color Spotlights because I have tried (almost) every color available to me.

We’re starting with kind of a weird one! Instead of a traditional blue, yellow, and red, this is a blue, green-yellow, and earth orange. I used 3 Daniel Smith colors: Indanthrone Blue (PB60), Rich Green Gold (PY129), and Transparent Red Oxide (PR101).

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Artist Palette Profiles: Hazel Soan

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As a big-palette enthusiast, I really need practice with limited palettes, which is where Hazel Soan’s 2022 book Art of the Limited Palette comes in. In the book, Soan extols the joys of using a limited palette – how it can make your paintings look more color-rich, less muddy, and more harmonious, while also making your life easier as a painter.

What makes this book convincing is how much I love use of color in Soan’s paintings in the book. Is this because she uses limited palettes, or because she’s generally good at painting? Hard to say, but her limited-palette paintings certainly don’t appear to be limited in hue or value. On the contrary, they seem to glow and vibrate with color!

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Finding Lightfast Acrylic Gouache

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Recently, I began experimenting with acrylic gouache, which is basically just acrylic paint that dries matte. When I look at ASTM ratings of the lightfastness of paints, they’re often better in acrylic than in watercolor. I suppose it’s because watercolor is so often used in tints, and gum arabic is not a very protective base. … Read more

The Secret of Opus Essential Watercolours

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I recently moved to Vancouver, B.C., Canada from the U.S. The local southwest-B.C. chain art store, Opus, carries most of my favorite watercolor paint brands – Holbein, Daniel Smith, Winsor & Newton, Schmincke – but notably absent is my very favorite, Da Vinci. Nor could I find it offered anywhere in the entire country to … Read more