Mixing Mauve for Watercolor Clouds

Violet, mauve, and gray cloud mixes with WN Phthalo Turquoise (PB16), top; DS Indanthrone Blue (PB60), bottom; DV Alizarin Crimson Quinacridone (PV19), left; DV Red Rose Deep (PV19), middle; DS Deep Scarlet (PR175), right.

Last time I looked at purple mixes, I fell most in love with the vibrant ones. Recently, though, in my efforts to make more subtle watercolor sky & sunset colors, I’ve been trying to find my favorite mixes for mauve, aka dull purple.

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Artist Palette Profiles: Ron Ranson

Ron Ranson-inspired sky with Naples Yellow Deep wash and mauve clouds of Alizarin Crimson and Payne’s Gray

I loved Ron Ranson On Skies (1996, Studio Vista), a book that mixes careful observation and teaching about cloud and sky natural history with practical painting techniques. Let’s see what colors Ranson used to paint skies!

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The Paint Scoring List!

When deciding between paints, especially ones that I like equally well and that fill similar palette niches, I find it hard to juggle all the various factors to think about, many of which are not immediately obvious from first paintout: lightfastness, toxicity, drying shift, price series (cost), and tinting strength. That’s why I’ve come up with a needlessly complicated rating system!

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Lightfastness Tests 2023

Since we’re deep in the darkest part of the year, I figured I’d take down my lightfastness tests. (To be honest, I forgot about them; I meant to only do them for 3 months but some of them have been up for over 6.) Here is what I learned.

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Watercolor Paint Consistency Scales, Ranked

Photo by Eiliv Aceron on Unsplash

Describing paint consistency is a continuing challenge for watercolor teachers. Paint consistency has a huge impact on the appearance of a watercolor painting, so it’s a big deal topic. Fresh-from-tube paint brushes onto the page totally differently from half-diluted paint, which is also totally different from watery paint (or painty water). Experienced artists can tell when their paint is the right consistency for the effect they want, but newbies don’t have that context, and it’s hard to communicate verbally. Many artists use analogies to other substances. I personally had an a-ha moment when Ruth Wilshaw likened gouache at a “sweet spot” consistency to slippery dish soap.

Let’s take a look at other ways artists describe paint consistency.

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Earth Yellow Showdown: Yellow Ochre, Raw Sienna Deep, MANS, and Raw Sienna

Previously, I’ve asked What’s the difference between MANS and Yellow Ochre? Today, I’m adding a couple more earth yellows for a big showdown between Da Vinci Yellow Ochre, Da Vinci Raw Sienna Deep, Daniel Smith Monte Amiata Natural Sienna (MANS), and Da Vinci Raw Sienna. Which of these belongs in the earth yellow slot in my palette?

Color comparison of Yellow Ochre, Raw Sienna Deep, MANS, and Raw Sienna

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