Watercolor Dirtbag
I think what attracts me so much to this earth tone is that it’s so bright it’s practically not an earth tone. It’s somewhere between a slightly muted red-orange and an extraordinary bright alternative to Burnt Sienna. I did this from a dot card, so it’s less intense that it would be if I’d had … Read more
You can see from the heading written on here that I have a really hard time spelling this color name! This primary yellow from my Greenleaf & Blueberry hand-poured CMYK set has a pigment I’ve never seen before, so I thought I’d make a new color spotlight page for it.
This bright, springy, pastel pink-peach is a Holbein-specific color. In terms of pigments, it’s mix made from PO73 (Pyrrol Orange) and Titanium White.
Raw Umber is one of many earth tones made from PBr7 brown. A cool, dark brown with blue undertones.
This Daniel Smith-specific color is a warm, semi-opaque, granulating light tan that turns other colors into gentle pastels. Derived from the Titanium White pigment PW6, this is a soft dove color that looks at home in landscapes.
This highly granulating, semi-opaque brown makes textured, naturalistic brown blends. I fell in love with this color when searching for interesting new colors to use in the desert. This one wowed me for its capacity to mix complexly textured red sandstone and olive-drab foliage.
This granulating earth orange is a lovely desert color and, along with Nickel Azo Yellow, part of Daniel Smith’s mixed hue version of Quinacridone Gold.
This single-pigment purple made from PV23 is sometimes called Dioxazine Violet.
An extremely staining blue-toned violet that gets very, very dark!
Neutral Tint is a transparent gray (black in masstone) that is specifically designed to be neutral: not warm, not cool, not leaning toward any other color.
Typically, Neutral Tint is made from a mix of three pigments: PBk6 (Lamp Black), PV19 (any number of quinacridone magenta/pink/rose/purple/crimson shades), and PB15 (Phthalo Blue of some sort).
Technically, Perylene Green isn’t a green pigment, but a black one: “Pigment Black 31”. It has a distinctly greenish tone, however, and is often used as shadows in foliage.