Autumn Palette 2024 Revisited

I’ve been using my autumn palette outside and in timely paintings for about a month, and I feel I have gathered enough experience to quickly review the colors and see if my expectations matched reality. Top Tier Colors I’m using these a lot: Also Good Borderline Not used as much as I expected What am … Read more

Sketching Palettes vs Triad Palettes

Reading Hazel Soan’s The Art of the Limited Palette and trying some triad paintings has given me a different perspective the colors that I reach for and the way that I think about my color library. The colors you choose for a walking-around sketching palette are somewhat different than the colors you choose for a triad.

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Limited Palette Study: Phthalo Blue Green Shade, Indian Yellow, Perylene Violet

I chose this palette for a night sky painting – and to play with two new Schmincke colors, Indian Yellow and Perylene Violet! Phthalo Blue Green Shade is a classic cyan: bright, but transparent enough to achieve dark masstone. Indian Yellow is a combination of two warm yellows (PY154 and PY110), similar to DS New Gamboge. Perylene Violet is an oddball choice for me, because I usually find it too dark and dreary, but it’s perfect for the deep, dark violets of a night sky.

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Limited Palette Templates

I’m on my limited palette kick after reading Hazel Soan‘s The Art of the Limited Palette, and I have more thoughts!

How do you go about building or choosing a limited palette for a particular painting? It’s easy to default to a primary triad (blue/yellow/red), the most common type of limited palette, but what are the other options? From my observations of Soan’s examples in her book and other sources, I’ve categorized common patterns.

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Limited Palette Study: Indanthrone Blue, Rich Green Gold, Transparent Red Oxide

Welcome to a new series where I take a look at a specific limited palette, usually consisting of 3 colors. This is inspired by my newfound interest in limited palettes (after reading Hazel Soan’s book), and also by my need to find a new post series now that I’m no longer doing Color Spotlights because I have tried (almost) every color available to me.

We’re starting with kind of a weird one! Instead of a traditional blue, yellow, and red, this is a blue, green-yellow, and earth orange. I used 3 Daniel Smith colors: Indanthrone Blue (PB60), Rich Green Gold (PY129), and Transparent Red Oxide (PR101).

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Artist Palette Profiles: Hazel Soan

As a big-palette enthusiast, I really need practice with limited palettes, which is where Hazel Soan’s 2022 book Art of the Limited Palette comes in. In the book, Soan extols the joys of using a limited palette – how it can make your paintings look more color-rich, less muddy, and more harmonious, while also making your life easier as a painter.

What makes this book convincing is how much I love use of color in Soan’s paintings in the book. Is this because she uses limited palettes, or because she’s generally good at painting? Hard to say, but her limited-palette paintings certainly don’t appear to be limited in hue or value. On the contrary, they seem to glow and vibrate with color!

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Vancouver Colors Revisted + palette update

The big question in my last palette review was: will I use the “Vancouver colors” Perylene Green, Carbazole Violet, and Quin Burnt Orange? Answer: yes! I found even more uses for them than before, including making a lovely kind of dull violet gray with the violet + green. This is a good color base for … Read more