Palettes

Preparing the Arizona Palette

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I kind of made fun of myself in the New England Palette post for attempting to prepare “palettes of place” for places that I don’t know using third-hand research and commercial palettes as guides, but guess what? I don’t know any other way to prepare for travel. I’m going visiting near Phoenix, AZ, for the first time for Christmas, so I’m trying to figure out what colors to bring!

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The New England Palette

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Before I first traveled to Vancouver, I researched colors that might be particularly useful there, such as paints in the M. Graham “Pacific Northwest” kit, and the palettes of PNW artists such as Molly Hashimoto. Based on that research, I decided to add Dioxazine Violet and Perylene Green to my travel palette, and to make … Read more

Autumn Palette 2024 Revisited

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I’ve been using my autumn palette outside and in timely paintings for about a month, and I feel I have gathered enough experience to quickly review the colors and see if my expectations matched reality. Top Tier Colors I’m using these a lot: Also Good Borderline Not used as much as I expected What am … Read more

Sketching Palettes vs Triad Palettes

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Reading Hazel Soan’s The Art of the Limited Palette and trying some triad paintings has given me a different perspective the colors that I reach for and the way that I think about my color library. The colors you choose for a walking-around sketching palette are somewhat different than the colors you choose for a triad.

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Limited Palette Study: Phthalo Blue Green Shade, Indian Yellow, Perylene Violet

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I chose this palette for a night sky painting – and to play with two new Schmincke colors, Indian Yellow and Perylene Violet! Phthalo Blue Green Shade is a classic cyan: bright, but transparent enough to achieve dark masstone. Indian Yellow is a combination of two warm yellows (PY154 and PY110), similar to DS New Gamboge. Perylene Violet is an oddball choice for me, because I usually find it too dark and dreary, but it’s perfect for the deep, dark violets of a night sky.

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Limited Palette Templates

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I’m on my limited palette kick after reading Hazel Soan‘s The Art of the Limited Palette, and I have more thoughts!

How do you go about building or choosing a limited palette for a particular painting? It’s easy to default to a primary triad (blue/yellow/red), the most common type of limited palette, but what are the other options? From my observations of Soan’s examples in her book and other sources, I’ve categorized common patterns.

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