Earth Red

Granulating earthy reds, typically made from iron oxides. Usually opaque. The hue is generally in the maroon (dark scarlet) space.

Winsor & Newton Opaque PR101 comparison: Venetian Red, Indian Red, Caput Mortuum Violet. (DV Indian Red shown at the bottom for comparison)

Color List

My thoughts

Necessary slot? No, but it’s a nice-to-have if you’re painting a lot of earthy subjects like rocks and mountains and dirt and canyons and whatnot. These colors tend to be quite granulating which can provide texture to warm subjects for which you cannot use Ultramarine Blue or other typical cool texturizers. When combined with Cerulean Blue or other cyans, they make warm, soft grays.

Cooler Indian Reds (such as DS’s) and violet oxides can be used effectively to make soft violet-gray shadows, such as in Claire Giordano’s Alpenglow palette.

Alpenglow palette

A liability of the PR101 earth reds is that they are all opaque which limits their value range. They can also be obnoxiously powerful in masstone. In dilute, they have their own special charms; I’ve used diluted Venetian Red for a sunset cloud coral during my blue and brown studies, for example.

Blues & Browns Only Week 1. February 25, 2024.

Potter’s Pink is the odd man out on this page, being a non-PR101 and quite weak. It is a dusty, granulating pink. I had it with the pinks for awhile, but ultimately its function is really to create warm granulation so I figured it belonged here.

My favorite: I like warmer WN Venetian Red. I also sometimes consider Terra Cotta as a cousin of Venetian Red, though it’s borderline and I listed it as an earth orange.

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