Color Spotlight: Quinacridone Sienna

I think what attracts me so much to this earth tone is that it’s so bright it’s practically not an earth tone. It’s somewhere between a slightly muted red-orange and an extraordinary bright alternative to Burnt Sienna. I did this from a dot card, so it’s less intense that it would be if I’d had … Read more

What’s the difference between Hansa Yellow Deep (PY65) and Isoindolinone Yellow Deep (PY110)?

These two deep yellows are very similar in hue, so what’s the difference? I find Hansa Yellow Deep (this Daniel Smith one, at least) to be slightly more yellow, where as the Holbein Isoindolinone Yellow Deep that I tested is slightly more orangey. If I’m squinting, HYD looks more dull in masstone but brighter in … Read more

Color Spotlight: Neutral Tint

Daniel Smith – Neutral Tint

Neutral Tint is a transparent gray (black in masstone) that is specifically designed to be neutral: not warm, not cool, not leaning toward any other color.

Typically, Neutral Tint is made from a mix of three pigments: PBk6 (Lamp Black), PV19 (any number of quinacridone magenta/pink/rose/purple/crimson shades), and PB15 (Phthalo Blue of some sort).

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Color Spotlight: Goethite Brown Ochre (PY43)

Daniel Smith – Goethite (Brown Ochre)

I like granulation now, so this is part of my effort to revisit colors I previously wrote off because of the granulation. Last week, I did Potter’s Pink for the same reason.

Goethite Brown Ochre is a highly granulating, low-tinting-strength yellow ochre, made with the traditional yellow ochre pigment PY 43. Jane Blundell includes it as one of the fourteen colors in her Ultimate Mixing Palette.

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Color Spotlight: Phthalo Blue Red Shade (PB15:6)

Is Phthalo Blue Red Shade actually red-toned, neutral, or still green-toned but simply less so than its cousin Phthalo Blue Green Shade (PB15:3)? I’ve heard all opinions, and I suppose it’s a judgment call. (Is the color blue you see the same as the color blue I see?) My opinion is that it is a … Read more