Australian Red Gold (or Aussie Red Gold in DS parlance) is a warm, glowing, orange mix originally created by the Australian brand Art Spectrum. This is a brand that’s hard to get ahold of in the US so I’m bringing you the Daniel Smith version.
Color Spotlight: Neutral Tint
Neutral Tint is a transparent gray (black in masstone) that is specifically designed to be neutral: not warm, not cool, not leaning toward any other color.
Typically, Neutral Tint is made from a mix of three pigments: PBk6 (Lamp Black), PV19 (any number of quinacridone magenta/pink/rose/purple/crimson shades), and PB15 (Phthalo Blue of some sort).
Da Vinci PV19 Comparison: Is Alizarin Crimson Quinacridone Reduplicative With Red Rose Deep?
I chose my watercolors by slot: my favorite green-blue, my favorite black, my favorite yellow ochre… Of course, slot boundaries and malleable. Over time, I broke out reds into several categories: bright magenta/rose, bright orange-red, deep crimson, and deep scarlet. My bright orange-red (which varies between Quin Coral or Scarlet Lake) is pretty different from my deep scarlet (Deep Scarlet), so no problem there. However, when it comes to my “cool reds,” I think my bright and my dark are too similar!
My quin rose choice is Da Vinci’s Red Rose Deep, and my crimson choice is Da Vinci’s Alizarin Crimson Quinacridone. They both use the same pigment, PV19, and now that I look at them together, I’m wondering if they’re basically… essentially… the same color?
This is the problem with choosing colors one-by-one like this: as your slots become increasingly fine, you may end up with some pretty similar colors. In fact, you’re likely to, since the common denominator is you, with your same aesthetic preferences. In my case, apparently, I tend to go for lively, cheerful, deep pinks! RRD is one of the more “crimson-like” roses, and ACQ is one of the more “rose-like” crimsons.
So, are these colors reduplicative? Do I only need one, and if so, which one? Or do they actually serve different palette roles?
What’s the difference between Pyrrol Crimson and Alizarin Crimson Quinacridone?
It’s the battle of the crimsons! If you want a deep red on your palette, which should you choose? Which should I choose?
Color Spotlight: Quinacridone Violet (PV19 Purple)
Finding a Dark Magenta: Comparing Quin Fuchsia, Quin Violet, and Bordeaux
I have two great options for a primary magenta, Quin Magenta (PR122) or Quin Rose (PV19), both of which are extremely bright but don’t get that dark. I like to have a way of making a dark version of each of my colors, but none of my usual ways of darkening magenta quite work for me.
- Adding blue makes it purple
- Adding green (the complement) makes a weird gray
- Adding earth orange makes crimson red
- I’m not a fan of the muddy mixes with black
Could a new pigment help?
Color Spotlight: Alizarin Crimson Quinacridone (PV19 Crimson)
Traditionally, Alizarin Crimson is made from pigment PR83, which is falling out of favor because it is not lightfast. Different companies have different solutions to this, offering colors with names like “Permanent Alizarin Crimson” made from various mixes of lightfast reds. Some artists also mix their own (a popular recipe is Perylene Maroon + Quin … Read more
What’s the difference between Quinacridone Rose (PV19) and Quinacridone Magenta (PR122)?
Sometimes two colors you like are so similar that it seems silly to have them both on your palette, but how do you choose which one to use? It’s like that for me with Quinacridone Rose (a pink made from the pigment PV19) and the color that I usually call Purple Magenta (PR122), which is also known as Quinacridone Lilac (in Daniel Smith) or Quinacridone Magenta (in Holbein and some other brands).
Color Spotlight: Quinacridone Rose (PV19 Pink)
After exploring lots of colors shallowly through Adventures in Daniel Smith Dot Cards, I thought I’d take some time to do deep-dives on selected colors: whether it’s because they’re my favorite, reliable, palette staples, or because they’re colors I want to investigate further and learn more about.
Today, we start with a palette staple and one of my first artist grade paints: Quinacridone Rose! This is the cool red/magenta shade from the Daniel Smith Essentials set (which I totally love and recommend as a starter kit if you’re looking to get started in artist grade paints).